Abortion Limit on Minors essays

Abortion Limit on Minors essays On April 17 of 2002, the House approved a bill that would make it a federal crime for anyone other than a parent to take a girl under age 17 across state lines for an abortion, but the Senate action appears unlikely. By a vote of 260 to 161, the House passed the bill, the Child Custody Protection Act. Violators could be fined up to $100,000 and face up to a year in jail. At least 27 states require one or both parents to be notified before a minor may have an abortion. The House bill would make it a crime for anyone other than a parent, including a close relative like a sister or an aunt, to take a girl under 17 across state lines to circumvent those laws. This is something that definitely needs to be addressed. Abortion is a very large topic running around politics. I believe this bill is correct in saying that any girl under 17 needs to have a parent to go get the abortion, because you never know when some sexual predator impregnates a girl and then takes her to have an abortion. Those girls are scarred for life. I also think there should be stricter laws on how long you actually wait to have the abortion, if the baby is actually starting to form then I believe that you absolutely should not be able to get one. I know there are many different opinions than mine but I also know that people share the same views, Im catholic and was on the Right To Life March in January of 2001. If you were there to see it, youd see that people shared my views, all of Capital Ave. was full of people, jam packed for miles. It was quite an experience to see the speeches and stations setup from the pro-choice and pro-life believers. Whatever the verdict on this law, it should be thought out so that whatever is done is done so that the girl will be happy and not scarred for life, hopefully this is the way our government will think. ...

Review of Heart of Darkness by Joseph Conrad

Review of 'Heart of Darkness' by Joseph Conrad Written by Joseph Conrad on the eve of the century that would see the end of the empire that it so significantly critiques, Heart of Darkness is both an adventure story set at the center of a continent represented through breathtaking   poetry, as well as a study of the inevitable corruption that comes from the exercise of tyrannical power. Overview A seaman sat upon a tugboat moored in the river Thames narrates the main section of the story. This man, named Marlow, tells his fellow passengers that he spent a good deal of time in Africa. In one instance, he was called upon to pilot a trip down the river Congo in search of an ivory agent, who was sent as part of the British colonial interest in an unnamed African country. This man, named Kurtz, disappeared without a trace- inspiring worry that hed gone native, been kidnapped, absconded with the companys money, or been killed by the insular tribes in the middle of the jungle.As Marlow and his crewmates move closer to the place Kurtz was last seen, he starts to understand the attraction of the jungle. Away from civilization, the feelings of danger and possibility start to become attractive to him because of their incredible power. When they arrive at the inner station, they find that Kurtz has become a king, almost a God to the tribesmen and women who he has bent to his will. He ha s also taken a wife, despite the fact he has a European fiance at home. Marlow also finds Kurtz ill. Although Kurtz doesnt wish it, Marlow takes him aboard the boat. Kurtz does not survive the journey back, and Marlow must return home to break the news to Kurtzs fiance. In the cold light of the modern world, he is unable to tell the truth and, instead, lies about the way Kurtz lived in the heart of the jungle and the way he died. The Dark in  Heart of Darkness Many commentators have seen Conrads representation of the dark continent and its people as very much a  part of a racist tradition that has existed in Western literature for centuries. Most notably, Chinua Achebe accused Conrad of racism because of his refusal to see the black man as an individual in his own right, and because of his use of Africa as a setting- representative of darkness and evil.Although it is true that evil- and the corrupting power of evil- is Conrads subject, Africa is not merely representative of that theme. Contrasted with the dark continent of Africa is the light of the sepulchered cities of the West, a juxtaposition that does not necessarily suggest that Africa is bad or that the supposedly civilized West is good.The darkness at the heart of the civilized white man (particularly the civilized Kurtz who entered the jungle as an emissary of pity and science of process and who becomes a tyrant) is contrasted and compared with the so-called barbarism of the con tinent. The process of civilization is where the true darkness lies. Kurtz Central to the story is the character of Kurtz, even though he is only introduced late in the story, and dies before he offers much insight into his existence or what he has become. Marlows relationship with Kurtz and what he represents to Marlow is really at the crux of the novel.The book seems to suggest that we are not able to understand the darkness that has affected Kurtzs soul- certainly not without understanding what he has been through in the jungle. Taking Marlows point of view, we glimpse from the outside what has changed Kurtz so irrevocably from the European man of sophistication to something far more frightening. As if to demonstrate this, Conrad lets us view Kurtz on his deathbed. In the final moments of his life, Kurtz is in a fever. Even so, he seems to see something that we cannot. Staring at himself he can only mutter, The horror! The horror! Oh, the Style As well as being an extraordinary story, Heart of Darkness contains some of the most fantastic use of language in English literature. Conrad had a strange history: he was born in Poland, traveled though France, became a seaman when he was 16, and spent a good deal of time in South America. These influences lent his style a wonderfully authentic colloquialism. But, in Heart of Darkness, we also see a style that is remarkably poetic for a prose work. More than a novel, the work is like an extended symbolic poem, affecting the reader with the breadths of its ideas as well as the beauty of its words.